THE THING FROM ANOTHER WORLD
Screenplay by
Charles Lederer
Based on the story
WHO GOES THERE?
by
John W. Campbell Jr.
RKO 1951
8/29/50
FADE IN
1 EXT. NIGHT
The snow piled streets at Dutch Harbor, Alaska. A wind
blows. The street is empty. A bundled figure moves
through the street toward a low roofed lighted building.
A sign outside the building reads:
"OFFICER'S CLUB, DUTCH HARBOR, ALASKA"
Someone has scribbled the words under the printing "No
Penguins allowed".
The figure stops in the doorway and looks at a long
thermometer. It registers twenty-five below zero. The
figure continues into the club.
2 INT. OFFICERS CLUB ROOM - MIDNIGHT
This is the social center for U.S.A. flying men roosting
in the polar regions. The air base is near Dutch Harbor,
Alaska - a commuting hop from the Arctic Circle. It is
early winter. The night in Dutch Harbor is long and
dark.
In the room two of the six gaming tables are occupied.
At one sits a four handed bridge game. At the other sit
five men playing poker. RADIO MUSIC - an American
Service Broadcast - is coming a bit feebly into the room.
All is cozy and steam-heated in the room.
Among the five poker players are three men who are to be
active in our story. One is W.O. Vic MacAuliff. He is
a tough, taciturn radio man. He has seen service
everywhere, heard nearly all the languages and drunk
nearly all the different brews of the earth.
The second is Captain Pat Henry, in his early thirties.
Captain Henry has been a flyer since he shed his first
stocking cap. He is a man of whimsey and temper and
also mood.
The third is Lieutenant Eddie Dykes, a tall, homely man
under thirty.
The overcoats, boots, ear-lapped military hats of the
aviators lie on an unused table nearby.
EDDIE DYKES
(as he shuffles
and deals)
It was about a hundred and five
in the shade in this place. The
women didn't wear any clothes at
all to speak of - which was very
intelligent of them. You lay in
a hammock and three of them stood there
fanning you. When I die, I hope
to go to Accra.
MACAULIFF
I was there.
HENRY
(looking at
his hand)
I open for one dollar.
PLAYER
I stay.
PLAYER
I'm out.
MACAULIFF
Going up.
He puts two chips on the table.
EDDIE
Scotland strikes again. I'm
in. Cards, gentlemen.
Two other players add another chip each to the pot.
HENRY
Three.
PLAYERS
Three.
MACAULIFF
These'll do.
The figure has entered the room and is surveying the
poker players as it removes its wrappings. He is Ned
Skeely, a newspaper correspondent.
HENRY
Hello, Skeely, how are you?
SKEELY
Faintly alive. Twenty-five below
and going down. It's a night for
brass monkeys.
HENRY
Care to join us?
SKEELY
As soon as I count my fingers.
I may have lost some.
HENRY
I think you know everybody here.
Players smile and say "sure."
MACAULIFF
I haven't met the gentleman, Captain.
HENRY
Ned Skeely - Angus MacAuliff.
MACAULIFF
How do you do, sir.
EDDIE
Mr. Skeely's a newspaper man, Mac.
We're going to put on a snow ball
fight for him tomorrow.
Skeely takes a seat next
to Eddie.
HENRY
(returning to the play)
One dollar is bet.
EDDIE
Against a pat hand held by a
Scotchman. Captain Henry, your
decorations for valor have gone
to your head. I'm folding.
MACAULIFF
Call.
HENRY
A pair of aces.
MACAULIFF
Beats two queens.
EDDIE
(to MacAuliff)
You ought to know better than to
try fooling my pal. Only dames
can do that.
HENRY
(quietly)
I promised you a kick in the belly.
EDDIE
(mockingly)
Forgive. Forgive. A slip of the
tongue.
HENRY
(to Skeely)
How'd you make out with General
Fogarty?
SKEELY
Your general is nursing his secrets
like a June bride.
MACAULIFF
Deal 'em out, lieutenant.
EDDIE
You in, Mr. Skeely?
SKEELY
Yes. I am always interestad in
pauperizing the air force.
EDDIE
(dealing)
I've got a big idea that involves
you, Mr. Skeely. You're not going
to get any story out of this post.
Forgarty has given us all instructions
to treat you like a Russian spy.
SKEELY
General Fogarty is going to end up
on his knees begging for my attention.
EDDIE
(intently)
This is more practical, Mr. Skeely.
There's a man in Edmonton who can
give you the whole Radar defense
story. Loves to talk. General
MacLaren. You tell the General you
want to get to Edmonton - and Pat
and I'll fly you there.
SKEELY
I know General MacLaren. He bores
me.
EDDIE
(desperately)
Don't be like that! It's warm in
Edmonton! They've got girls in
Edmonton! Without fur pants on!
SKEELY
(to Henry)
How about it, Captain?
HENRY
Let's play cards.
MACAULIFF
(to Eddie)
Ye ought to know better than to try
and shoo our captain southward -
with his heart wrapped around the
North Pole.
HENRY
That'll do, Mr. MacAuliff.
MACAULIFF
(grinning)
I open - for two dollars.
SKEELY
(casually, as they play)
What's going on at the North Pole?
EDDIE
Some scientists are holding a
convention there. Looking for
Polar bear tails. Ever hear of
Dr. Carrington?
SKEELY
The fellow who was at Bikini?
EDDIE
The same.
HENRY
They're holed in about two thousand
miles north of here, a lot of
botanists and physicists.
EDDIE
(solemnly)
Including a pin-up girl. Very
interesting type. Captain Henry
can give you any data on her you
want.
HENRY
(looking at his cards and
speaking quietly to Eddie)
Someday I hope to have a co-pilot a
cut above a high school boy - or
at least dry behind his ears -
A voice comes over the
P.A. speaker.
VOICE
Captain Henry. Captain Pat Henry.
Report to General Fogarty's quarters
at once, please.
Henry rises from the table.
SKEELY
(frowning and serious)
Twelve thirty and a general yelling
for his troops. Sounds like the
old days.
Henry starts putting on his overcoat.
DISSOLVE TO:
3 INT. GENERAL FOGARTY'S QUARTERS. NIGHT
A living room with a fire going in the fire place. The
room is fairly well furnished. Some war trophies are
on the wall, including a piece of a Japanese aeroplane,
a Jap sword, and other important war souvenirs.
Three men are in the room. One is General Fogarty, in
his forties; the second is the adjutant of the post,
Major Smith. The third is Corporal Hauser from the
post's communication center.
FOGARTY
(to Corporal Hauser)
If any more messages come in from
that base I want to be notified
personally, no matter what time.
Tell the O.D.
CORPORAL
Yes, sir.
There is a knock on the door.
FOGARTY
Come in.
The door opens and a blast of
freezing air hits the room as
Captain Henry enters. He closes
the door.
HENRY
Good evening, sir.
Corporal Hauser opens the door
and exits, letting another blast
of cold into the room. The General
shivers, scowls and grumbles.
FOGARTY
(shivering)
Freddie, any chance of the Pentagon
sending us a revolving door?
MAJOR
Could be. We got a gross of pith
helmets last week.
FOGARTY
(to Henry)
I've go something queer here from your
picnic party up north. Just came in.
(he reads from a paper)
Believe air ship unusual type crashed
in our vicinity. Please send
facilities to investigate. Most urgent.
(he looks up)
It's from Dr. Carrington. What's it
sound like to you, Pat?
HENRY
I think I'd better hop up.
FOGARTY
(dryly)
I knew you'd say that. But what do
you think you'll find, besides your
lady friend?
HENRY
(quietly)
I don't know. Any of our ships
reported missing?
MAJOR
Not a one.
HENRY
Could be a Russky. They're all
over the Pole, like flies.
FOGARTY
(smiling)
Don't get nervous. You're going.
When a double dome like Professor
Carrington says "most urgent",
small people like us have to jump.
Better take a dog team and everything
you might need for rescue work.
HENRY
I'll take off at 4:30.
MAJOR
What's the weather, Pat?
HENRY
There's a bad front moving in.
But I think there's enough time
to get there and back without
bumping into it.
FOGARTY
You can do me a favor, Pat.
HENRY
Yes, sir.
FOGARTY
Take that newspaper fella up with
you - and maroon him there.
HENRY
I'll invite him.
FOGARTY
And don't get me wrong about
who gets marooned, Captain
Henry. I would appreciate
it if you didn't smash a landing
ski and find it necessary to
twiddle your thumbs for a week
while it's being repaired.
HENRY
(coldly)
That accident was unavoidable, sir.
FOGARTY
So was Romeo and Juliet. I'll
expect you back tomorrow night -
with or without Mr. Skeely.
Good luck.
DISSOLVE TO:
4 INT. C-54 PLANE. IT IS FLYING THROUGH A DIMLY LIT
SKY. BELOW ARE CLOUD BANKS.
In the plane are W. O. MacAuliff, Ned Skeely,
Navigator Lieutenant Ken Ericson and Light
Engineer Corporal Barnes. Captain Henry is flying
the ship, Lieut. Dykes is beside him. MacAuliff
is at his radio instrument.
A dozen huskies and several sleds are in the plane,
plus a pile of other cargo tied down under tarpaulin.
SKEELY
How far are we from camp?
HENRY
Three hours. We've slowed down.
There's a breeze blowing.
EDDIE DYKES
(grimly)
A breeze, he says. It's hitting
forty miles. But you'll find
that our captain has some funny
ideas about the North Pole. He
thinks it's a garden spot. Come
and bring the kiddies.
HENRY
(grimly)
You're yapping is out of order,
Eddie. I'm not going to tell
you again -
EDDIE
Always squawking - that's me!
And for no reason! Shackleton
went to the North pole once -
and retired with a bag full of
medals. I get to go there every
three weeks - like it was lover's
lane.
HENRY
(coldly)
I'd like you to get this straight,
Mr. Skeely, if you write anything.
I'm liaison officer between our
post and the Carrington outfit.
These flights are strictly official.
Usually bring in supplies. They're
charting magnetic currents, growing
new kinds of polar plants, looking
for minerals.
EDDIE
That's right, Skeely. I was
only kidding. It's a terrific
outfit. The biggest collection
of double domes ever got together
on an ice cake.
MACAULIFF
(to the talkers)
Something's coming through.
Henry, Eddie and Navigator
Ericson put on their head
phones and listen.
EDDIE
(listening to the
ear phones)
Somebody's gooped up!
HENRY
(removing ear
phones)
Give me a new reading, Ken.
KEN
I can't understand it.
SKEELY
Who was that?
HENRY
The radio man, Hendrix - talking
for Carrington. He wants us to
correct our compass reading
twelve points East. A magnetic
disturbance is whacking away at
everything.
KEN
(working)
This is no place to make a mistake,
Pat. We were bee-lining for the
place. Hadn't we better get them
back.
HENRY
No. Carrington doesn't make
mistakes. We'll follow ground
instructions.
DISSOLVE TO:
5 INT. PLANE. A VIEW FAR BELOW OF THE SPRAWLING
POLAR SETTLEMENT.
Small dots of roofs on a flat expanse of snow.
The plane starts descending.
DISSOLVE TO:
6 EXT. POLAR PROJECT CAMP - DAY
The C-54 makes a landing on skis some two hundred
feet from the largest of the low looming buildings.
The arrivals drop out of the plane door.
A half dozen Eskimo workers belonging to the camp
hurry toward them.
DISSOLVE TO:
7 INT. LARGE ASSEMBLY ROOM OF POLAR EXPEDITION
It is 60 per cent underground. It's windows are
near the ceiling and function as transoms for
light.
The room is comfortably furnished and warm. It's
steam pipes run along the wall.
In the room are Dr. Chapman, Dr. Algari and Mrs.
Chapman.
Chapman is a forceful looking man in his forties.
His wife is a good looking woman of forty who is
also his assistant. Chapman is a minerologist.
Algari is an elderly man, white haired. He is a
botanist.
A male cook stands at a large electric stove. He
is cooking coffee and a hot lunch in a number of
pots. Chapman walks up the stairs to the door,
which is near the top of the room. He opens it.
Captain Henry and his group come dowm the stairs.
CHAPMAN
Very pretty landing, Captain.
We watched it. How was the trip?
HENRY
Nice ride. This is Mr. Skeely,
Dr. Chapman, Mrs. Chapman, Dr.
Algari. Mr. Skeely's a newspaperman.
SKEELY
Glad to know you.
CHAPMAN
(smiling)
Glad to have a newspaperman drop
in on us. We're a bit off the
beaten track.
SKEELY
(looking around)
Don't tell me I'm practically
at the North Pole! Looks more
like my old Kentucky home.
HENRY
Any further information, Dr.
Chapman?
CHAPMAN
I'm convinced it's some sort of
Russian air craft. Probably some
new jet propelled rocket.
ALGARI
I very much doubt that, Hugo.
I don't understand Russian
science, but it can't be as
far advanced as the indications
we have from the crashed ship.
CHAPMAN
If it is a ship. We're all
quite excited, Captain.
HENRY
Where's Dr. Carrington?
CHAPMAN
In the lab.
MRS. CHAPMAN
They'll all be here for lunch.
It's ready - if you'd like to
eat first. Fresh vegetables.
HENRY
(to Skeely)
From their own garden.
SKEELY
Garden?
MRS. CHAPMAN
(smiling)
Hothouse.
SKEELY
You have a hothouse! At the Pole!
EDDIE
(winking at Skeely)
They've got everything here.
Wait till you see.
HENRY
I'll join you in a few minutes.
ALGARI
I'll take you to the lab, Captain.
HENRY
Thanks. I know the way.
He starts out of the room.
MRS. CHAPMAN
Please sit down, everybody.
The group moves toward a long refectory table set with
twenty places. We follow Captain Henry out.
8 INT. A CONNECTING UNDERGROUND CORRIDOR BETWEEN TWO OF
THE CAMP BUILDINGS
Henry, enters it and walks toward a steep stairway. He
climbs it and knocks on a door. A voice calls.
VOICE
Come in.
He opens the door.
9 INT. NIKKI'S OFFICE AND SLEEPING QUARTERS
A small office-like room, lined with filing cabinets,
holding a desk, a typewriter stand, a voice recording
machine, and a couch that serves as a bed, is revealed.
Sitting at the desk, typing, is a vivid, young woman,
Alberta Nicholson. She is called Nikki. She stops
typing and rises.
NIKKI
Pat! Welcome to our igloo!
HENRY
(smiling)
Hello, Nikki. You look like seven
million dollars. How are you?
NIKKI
Wonderful. Sit down.
HENRY
I talk better standing.
He steps up to her and embraces her ardently. She
pulls out of his embrace, calmly, and without alarm.
NIKKI
Please.
(she straightens her hair)
I think Dr. Carrington is waiting
for you.
HENRY
Dr. Carrington will have to wait.
I'm busy.
He tries to embrace her again.
NIKKI
(evading him)
No, you're not.
HENRY
(frowning)
What's the matter?
NIKKI
Now, don't act surprised. We've been
all through this before. I don't like
promiscuous love making. It's meaningless.
HENRY
Who's promiscuous? We're alone, aren't we?
NIKKI
Pat, last time you were here, I spent
three days wrestling with a typical air
corps wolf. It was like playing puss-in-
the-corner with Bluebeard or somebody.
You even invaded my bedroom, claiming you
were looking for a lost pocketknife. Now,
I'm fond of you, Pat, but this time, if
you don't keep your hands to yourself,
we're through.
HENRY
You're fond of me, eh? Well, I'm fond
of you, too. What are we waiting for?
NIKKI
We're waiting until we get to know
each other.
HENRY
(grinning)
Now you're on my side. Come here.
You'll get to know me.
NIKKI
(pushing him away)
Not that way.
HENRY
What other way is there?
NIKKI
(desperately)
Didn't you ever hear the word
"conversation"? Didn't you ever read a
book, or see a movie - or - or think
about anything?
HENRY
Yeah. But you don't want to talk
about what I'm thinking.
NIKKI
No, I don't. If that's all you can think!
HENRY
I got other thoughts.
NIKKI
It would be an entrancing diversion to
hear one.
HENRY
Well, try this one. Dames are all alike.
NIKKI
That's not a thought. It's a cliche.
And a stupid cliche.
HENRY
All dames want to get married. If you
ask them to marry you, you're sincere. If
you don't you're Bluebeard, and a wolf.
NIKKI
(dangerously)
Are you saying I want you to ask me to
marry you?
HENRY
Never could figure them out. If you
buy a dame one meal and try to kiss
her, you're a wolf and a Bluebeard.
But if the same fellow promises to buy
her thirty thousand meals, then he's a
prospective husband and he couldn't
beat her off with a stick.
NIKKI
Yes, and tell a fellow your garter
belt is your own business, and he'll
think of every mean, stinking thing
in the world to say back to you!
HENRY
(calmly)
That's the war of the sexes, I guess.
NIKKI
Well, I hate war!
HENRY
On the other hand, it's my business. I
got a commission. Gimme a kiss, Nikki.
NIKKI
I'm tired of you. Now, come on. Doctor
Carrington's eager to see you.
HENRY
(gloomily)
Okay. Lead on, Miss Nicholson. I
guess I came to the wrong Pole.
He follows her out.
DISSOLVE
10 INT. DR. CARRINGTON'S LABORATORY
This is a large chamer in a separate building. Here
are concentrated the instruments used by the various
scientists in their astronomical, mineralogical and
botanical experiments.
At a large flat-topped table in the room sits Dr. Arthur
Carrington. He is a man of 43 with an alert, cheerful
face. He is good looking, well built, soft spoken.
His dominant characteristic is a smile that seems never
to leave his lips. It is present always on his face
like an extra feature. He is a genius of science and
a man whose brain is focused like a microscope on the
secrets of nature. But the intensity of his preoccupa-
tion with science is not to be heard in the easy tones
of his voice. It will be seen in the things he does,
in his point of view - but never in his manner.
Outwardly, he seems only a good looking man full of
child-like enthusiasm for a task and with a soothing,
amiable way for his fellow man.
In the room with Dr. Carrington is a lean young man
named William Stone, in charge of the camp's
photographic work and equipment.
Captain Henry stands silently in the doorway, his eyes
moodily on his scientific rival. The doctor is
studying the indicator dials of a complex instrument on
the table. Bill Stone greets the arrivals.
STONE
Hello, Nikki. Hello, Captain
Henry. How was the trip?
HENRY
(shortly)
O. K.
He remains staring at the preoccupied
Carrington who seems aware neither of
his or Nikki's presence.
NIKKI
(quietly)
Captain Henry is here, doctor.
CARRINGTON
(without looking up,
his voice amiable)
Yes, I know.
(his eyes stay on the indicator
dials and he continues softly)
Would you take these notes, please.
(he dictates to Nikki quietly.
She writes as he speaks)
November second, 2 p.m. Deflection
on screen nineteen continues -
twelve point three. No lessening
or wavering of disturbing element.
(he looks up and smiles
at Henry and adds softly)
Can we start now, Captain Henry?
HENRY
(coolly)
Mind telling me where we're going?
CARRINGTON
Forty-eight miles due east.
HENRY
Your message said an aeroplane
had crashed. Is that what we're
looking for?
CARRINGTON
(smiling)
I don't know, Captain.
HENRY
(covering his irritation
with difficulty)
I'd like to know what I'm supposed
to go looking for, Dr. Carrington.
CARRINGTON
(gently)
So would I.
(eagerly)
I think we should start while
the light holds.
HENRY
(without moving)
We'll start after you've given me
what information you've got.
CARRINGTON
(softly)
Is that necessary, Captain?
(he sees Henry's scowl
and is quickly contrite)
I'm very sorry. I was thinking
only of the vagueness of my
information. I dislike being
vague. Will you please read
Captain Henry my first notes,
Nikki?
NIKKI
(opening the note book in
her hand and reading from
it)
November 1, 11:15 p.m. Sound detectors
registered explosion due east. 11:18 p.m.
magnetic dial revealed twelve point three
deflection. Such deflection possible only
if a disturbing force equivalent to 20,000
tons of steel or iron ore had become part
of the earth within fifty mile radius.
HENRY
That sounds like a meteor, doesn't it?
CARRINGTON
(amiably)
Yes, very much. Except for our photographic
plates. Our telescopic cameras were working
last night. Here is the film taken between
11:12 and 11:15. Let Captain Henry see it,
Bill.
Stone switches on a light in a moviola
box and runs a strip of film slowly
through it. Captain Henry looks into
the box.
CARRINGTON
You will note the small dot low on the film.
It is moving from west to east. At 11:14
the dot moves upward. At 11:15 it drops to
the earth and vanishes. A meteor might move
almost horizontally from west to east, but
never upward. If the traveling object caused
the explosion we picked up, it is in the ice
48 miles from here. The sound reached us
four minutes after the object's disappearance.
This gives us the approximate distance from
here.
HENRY
(frowning)
Twenty thousand tons of steel is a lot of
metal for an aeroplane.
CARRINGTON
For the sort of aeroplane we know, Captain.
HENRY
(abruptly)
Come on, let's get going.
He walks out followed by Carrington,
Stone and Nikki.
DISSOLVE TO:
11 INT. C-54 PLANE
Captain Henry and Lieutenat Dykes are at the controls.
The rest of the crew are in their accustomed places.
A dog sled and a dog-team occupy the rear of the
passenger cabin.
Flight Engineer Barnes is scanning the snowscape below.
So are Photographer Stone and the scientists Olson,
Chapman, Vorrhees, Laurenz and Redding. Skeely is also
peering avidly out of the window. There is an air of
tension to the silence.
Only Dr. Carrington seems relaxed. He shares a seat
with Nikki.
From time to time Captain Henry turns around to scowl
at Nikki and Carrington.
NIKKI
(eagerly to her companion)
I'm terribly excited, Arthur! I'm
jumping up and down inside!
CARRINGTON
(softly)
So am I.
NIKKI
(laughing)
If the world were coming to an end, I
don't think you'd change your expression,
Arthur. You'd keep smiling - and dictating
notes - and expect me to take them down
accurately.
CARRINGTON
(nodding)
And you would.
Captain Henry has risen and left
Dykes at the controls. He has
walked back to Carrington and stood
there waiting grimly for their talk
to end. He speaks up now with
irritation.
HENRY
We're fifty miles out, Doctor, and not a
sign of anything. Those gadgets of yours
must be screwy.
CARRINGTON
(amiably)
I doubt it, Captain. They've exhibited
no signs of lunacy in the past.
NIKKI
(to Henry)
You must be off your course.
HENRY
(to Carrington, insistantly,
ignoring Nikki)
We haven't seen anything, have we?
What does that mean?
CARRINGTON
(amiably)
It means we haven't seen it. It doesn't
mean it isn't there.
Henry's response is interrupted
by a cry from Dykes.
DYKES
Hey, Pat! Look at this! The compass
is turning around!
HENRY
(starting forward)
What the holy --
CARRINGTON
(calmly)
We've passed it.
(calling to Dykes)
When did it start turning, Lieutenant?
DYKES
Just now -- fifteen seconds ago.
CARRINGTON
(to Nikki)
Mark the time, please.
(to Dykes)
Is it a complete revolution?
DYKES
Yep. Hundred and eighty degrees.
CARRINGTON
(to Henry)
Then we flew right over it about a
mile and three eighths back.
HENRY
(curtly)
Thanks.
(he calls to the cockpit)
Spin it around Eddie, and take
her down low.
Henry returns to the cockpit. Carrington follows him
and stands gazing out over his shoulder.
12 LONG SHOT OF ICE FIELD FROM SHIP'S POINT OF VIEW
A dark patch in the ice appears.
13 INT. COCKPIT
CARRINGTON AND DYKES
(together)
There - I see it - over there!
DYKES
It's buried in the ice.
HENRY
(peering at the
ground)
What do you think, Eddie?
DYKES
(pointing)
Looks pretty smooth over
there -
HENRY
(nodding)
Fasten your seat belts,
folks. We're going to land.
DISSOLVE TO:
14 THE ICE PLANE
The C-54 lands gracefully on its skis. Its occupants
disembark. Barnes and Dykes start hitching up the dog
team.
NIKKI
(standing on tiptoe)
I can't see it from here.
HENRY
It's that way. About a half
mile.
CARRINGTON
A little more south, I believe.
NIKKI
Oh, I hope we don't lose it.
CARRINGTON
(smiling at her
eagerness)
Hardly.
MACAULIFF
This'll lead us right to it.
He holds up a Geiger counter.
CARRINGTON
(surprised)
A Geiger counter. But there's
no reason to suppose it's
radioactive.
MACAULIFF
It is, though. I noticed in
the plane. See?
He holds up the counter. It clicks steadily.
DYKES
All set, folks.
HENRY
(to Nikki)
You ride on the sled.
Nikki gets on the sled. It starts off, the rest of the
party trotting along in its tracks.
DISSOLVE TO
15 THE ICE PLAIN NEAR THE DARK PATCH
The sled stops. Nikki gets off and runs with the others
to the dark patch. They stand looking down at it fron a
little hillock of snow and ice.
BARNES
That's no aeroplane.
OLSON
It's certainly not a meteor.
MACAULIFF
Whatever it is, how in the
holy name of Aberdeen, did it
get in there? Look, the ice
is smooth as glass.
There is a little chorus of agreement and wonder.
HENRY
This is the craziest thing
I ever saw!
CARRINGTON
Not really.
HENRY
(over polite)
Perhaps you'll be good enough
to explain the little mystery
to all us ordinary people.
CARRINGTON
(staring at the
dark patch)
Anything hitting the earth's
atmosphere at an astronomical
speed would be white hot in an
instant. It would melt its
way into the ice which would
then freeze over it again.
Skeely and Barnes have moved to another hillock to get a
better view of the buried object. Suddenly Skeely lets
out a yell.